Wu-Tang Clan Las Vegas: Hip-hop icons hope to leave legacy as they embrace Sin City residency ABC7 Los Angeles

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Jenkins spends a long portion of the series’ third part revealing how ODB’s roughly two-year prison stint in the early 2000s became emblematic of the group’s fracturing. At conception, Divine and RZA built companies around the Wu’s members, signing them to production and licensing deals, essentially controlling their artistic and financial fates. When members asked out of those contracts, RZA encouraged his older brother to free them, relinquishing what we’re told are millions of dollars of potential earnings. Divine emerges here as the heavy of the wu tang clan generator saga, a tenacious businessman who sold crack to bankroll the group’s earliest work and ultimately rose to chief executive of its conglomeration.

Figuring this was my cue to abandon my already-suspicious real estate, I began to back off before the man looked at me and asked who I was waiting for. This is where the shoplifting instincts kicked in. I was press, I told him, waiting for a production manager to assist me past the cops and into the building. That’s who I was and that was the story that landed me in an elevator with a stranger taking me to an unknown floor to hopefully see Drake. There was a brief moment where I thought, Wait a minute, I have no idea who this dude is and I’m just following him into an apartment building? It’s proven especially effective in an industry that at times feels as thrillingly void as kleptomania.

The ensuing profiles are not meant to form a definitive history. And maybe — for a group that’s always existed at a hazy interval between fact and myth — that’s quite all right. As with most tales of great American fortitude, the wu tang name generator-Tang Clan’s starts at the bottom.

The look in his eyes looked similar to the one you may have after pulling an all-nighter on an A paper…or toured for nearly 30 years and touched every part of the world. It’s the winter of 1993 and the Wu-Tang Clan are crammed on a stage at Bronx nightclub The Fever, formerly known as Devil’s Nest. The crowd is reciting every lurid tale of “smoking crack and weed” word for word, the walls were sweating, and people looked mesmerized by the new group.

The mood is a lot lighter on Ghost and Rae’s concept track “The M.G.M.” about attending a boxing match between Julio César Chávez and Pernell “Sweet Pea” Whitaker. They finish each other’s lines, have a conversation about The Supreme Wisdom, and spot celebrities, all while moving the story along with lines that never stop the groove. It’s like they’re Statler and Waldorf, high on dust. When Raekwon reflects on the writing of his 1995 mafioso rap epic Only Built 4 Cuban Linx he tells it like it was an Eat, Pray, Love-style excursion of self-discovery. Holed up for weeks in Barbados and then Miami with his spiritual confidant Ghostface, the pair wrote relentlessly, motivated by the warmth, ocean breeze, and a bond built over John Woo heroic bloodshed pictures and Wallabees. As soon as they grouped together in the early ​‘90s, the Wu-Tang Clan began to write their own mythology.

After releasing individual albums that showcased their talents, the clan came back together in 1997 to release another group album. After the first album was released and there was massive success, the group opted to split up and release solo albums. As the booze was cleaned up and the set began to come down Drake made his way behind the monitor to watch the footage. He put a hand to his chin, appearing speciously interested before looking decidedly pleased. He mingled for a bit, talking with some friends, posed photos with strangers, and downed another hot chocolate.

After soaking in the surroundings, I took the stairs down to the top floor of the building to join a small crowd looking for warmth in the hallway. A man and woman were having a conversation from neighboring doorways with me in between. The man had two black eyes and a severely cut up face.

There’s a Wikipedia full of rappers who have referenced it in their own songs. On his latest mixtape, Future rasps “lord forgive me for my sins, I know that cash rules.” Rolling Stone called it the #11th Best Hip-Hop Song of All-Time. In it’s own way, this was more influential to a generation than anything Adam Smith ever wrote—distilling his maxims into one easy lesson. If cash rules is the new American way, Wu-Tang wrote the modern national anthem.

Diggs took on the name RZA, Jones Ol’ Dirty Bastard, and Grice GZA. Wu-Tang drove from state to state, selling copies from the trunks of cars and asking local radio stations to play the song. “Protect Ya Neck” eventually became a regional hit, drawing attention from record companies. Every track on Enter the Wu-Tang (36 Chambers) is laced with dark vibes, and many of them are littered with kung fu flick dialogue or sound effects (or both).